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That’s a major simplification, but it sets the groundwork for “Daddy” and its depiction of an affair between a white, middle-aged, wealthy art collector (Alan Cumming) and a black, young, financially struggling artist (Ronald Peet, “The Meyerowitz Stories”). Even more impressive, or so Peet’s Franklin tells us, is the master bedroom that’s chock-full of Basquiats. But in the meantime he hadn’t even bothered to take his clothes off.
